‘The Dark Knight Rises’ to be post-converted to 3D [April Fools]

Update: In case you haven’t figured it out yet… April Fools!

Back in September of 2010, Christopher Nolan explained that he was “looking into” 3D technology. As we all know, Nolan opted to stick with IMAX, and shot a large portion of The Dark Knight Rises in that format. However, Warner Bros. will be releasing a 3D version as well, by post-converting The Dark Knight Rises to 3D. The conversion will be done by Burbank’s Stereo D LLC., the same company that converted Titanic for James Cameron. Best of all, the 3D conversion will not delay the movies release date! Are you excited to see The Dark Knight Rises in 3D? Check out the press release and leave your thoughts in the comments.

BURBANK, CA— Warner Bros. Pictures announced today that “The Dark Knight Rises” will be released to RealD® and Dolby® 3D® theatres simultaneously with the film’s wide release in conventional and IMAX® theatres on July 20, 2012. The epic conclusion to filmmaker Christopher Nolan’s Batman trilogy is being post-converted by Burbank’s Stereo D LLC., the same company in charge of converting “Titanic” for James Cameron. “Chris Nolan’s groundbreaking vision makes his films ideally suited for the immersive capabilities that 3D has to offer,” said David Fueller, Warner Bros. Picture’s president of domestic distribution.

The filmmaker shot large portions of the film with traditional 2D IMAX® cameras, and plans on keeping the IMAX® screenings true to that format. However, the Academy Award® nominated filmmaker is looking to expand upon the film’s much anticipated release. “As the number of 3D screens around the globe continues to grow, we’re thrilled to offer film’s like ‘The Dark Knight Rises’ in richer experiences for the moviegoers,” said Victoria Gelfond-White, President, Distribution, Warner Bros. Pictures International.

Christopher Nolan stated, “Our experience in working with the talented artists at Stereo D was awe inspiring. We did various brightness and depth tests, and when we saw how the tests were developing, we were very impressed!” Nolan and his cinematographer, Wally Pfister, have been secretly meeting with the stereoscopic effects company since November of last year. The conversion will cost approximently $10-20  million and will not delay the film’s release.

“We’re thrilled to be working with Chris Nolan, Emma Thomas and Warner Bros. Pictures to deliver one of the year’s biggest films in three dimensions,” added Lirpa Sloof, Chairman and President of Stereo D. “Chris has proven to be an immensely talented director. He has the vision and skills to make an immersive blockbuster film that is truly larger than life. We’re excited to be a key ingredient in what will surely be the biggest film this side of April Fools.”